A ruffled pink, red and tan latex sash droops over five miniature balsa wood sawhorses, displayed in a museum vitrine.'the ceremony that this /sash must adorn with panache is ambiguous and is many things at once in age, periodization, sex, and gender. Finally, the easy-to-miss unfilled space before the slash is forever, richly ill-defined to form “[?]/sash.” When it is not a sash, what is it?

Jongwoo Jeremy Kim in
“All Manner of ‘Becomings’”: The Ambiguous Pleasures of the Expanded Leslie-Lohman Museum of Gay and Lesbian Art.” ASAP Journal August 31, 2017. Web.