
- Liz Collins in Into that Fog: Queer|Art|Mentorship Fellows Exhibit, catalog, New York, NY, 2017. Print.
Anna Campbell’s “I have nothing to declare except my genius,” said Oscar Wilde to the customs agent. (2017) is a set of bronze fig leaves that quote from the convention of sculpted leaves to cover nudity during modest and repressive periods of art history. The leaves alone on a wall, each bulging suggestively, are more than simple phallic signifiers; they gesture to precisely a phantasmic actor or object of desire, and in so doing form a critique of how power is often masked in such institutional settings as white gallery walls (and the white bodies privileges in their proximity).
- Matt Morris in “Let Me Be an Evil Genie of Objects That Scream.” Let Me Be An Object That Screams, edited by Matt Morris. Chicago: Gallery 400, University of Illinois at Chicago, 2017. 111. Print.

- Jongwoo Jeremy Kim in ““All Manner of ‘Becomings’”: The Ambiguous Pleasures of the Expanded Leslie-Lohman Museum of Gay and Lesbian Art.” ASAP Journal August 31, 2017. Web.
Now you see it and you don't. Or, more precisely, now you see it as you supplement it. The hands lighting the cigarette in ‘Invert (lighting)’ and holding the cigarette in ‘Invert (burning)’ brought me to memories of queer gallantry palpable enough to make me want to smoke again […] Other pieces in the collection ‘Etiquette Kit,’ which includes the ‘Silhouette Series,’ also reward lingering if you are thinking about the gendered visuals and materials of athleticism. Competition, posturing, come-hither bravado, protection (sort-of), how size matters […]
- Erica Rand in “Hip Openers: On the Visuals of Gendering Athleticism.” Queer Difficulty in Art and Poetry: Rethinking the Sexed Body in Verse and Visual Culture, edited by Jongwoo Jeremy Kim and Christopher Reed, Routledge, 2017. 159, 161. Print.

– Emily Colucci in Of Discoballs and Baseball Bats: Anna Campbell’s Queer Objects in ‘Etiquette Kit.’ Filthy Dreams. 22 Feb. 2015. Web.