Chosen Family, Chosen Name, Separatist, Safe Space, Expat, Invert, Homophile, Homestead
This work’s title is an assemblage of diverse
strategies and terms that LGBT and other marginalized
people have used over generations to mark the labor of making and naming home. Scaffolding operates here as a material metaphor for social
constructions broadly. Cordial glasses further call to mind shared spaces where people
come together to socialize. Ribboned text from the laser-cut marquetry bar top pronounces “We Must Take Ecstasy,” citing the conclusion of queer theorist José Esteban
Muñoz’s final book Cruising Utopia, in which the operative word is “Take” and the obligation
of the communal “We” is to actively construct for ourselves a commitment to ecstatic experience as a tool to work towards a utopic future.
laser marquetry, poplar bar rail, plywood, lumber, scaffold, cordial glasses,
velvet dress, velvet stanchions
54”h x 42”w x 120”l
2016
velvet dress, velvet stanchions
54”h x 42”w x 120”l
2016